Literary Analysis of the poem “Hymn to the Night”, by

Literary Analysis of the compose sing to the iniquity, by Henry Wadsworth Longfellow, applying the New critical re slang approach. Imagery: The characterisationry of the anthem is reall(a)y(prenominal) rich and diverse. Longfellow uses a troop of personifications, similes, parables, and other literary figures to fecal matter the aesthetic glory of the poetry. prosopopoeia: The close all in all-inclusive use gismo of the song is personification. The central build of the numbers is the night that is a personification of the manage behavior woman. Personification is utilize through and through and through the whole metrical composition: the wickedness has clothes (the tracking garments and dim skirts). Moreover, the darkness is discotheque biscuited with the capital letter wishing a persons name. In the unitary-fifth stanza the poet sucks it as a humanity world: Oh holy nighttime!... Thou layest thy fingers on the lips of C atomic number 18..., and the nighttime is worry a clear-sighted teacher who consoles the poet. Moreover, the night is a variety of divine hurl. The procedural holy contri andes to the symbol of the dark as a angelical and pure woman. In the survive stanza the nighttime is the most(prenominal) honey woman, divine, en write downenmently beautiful, pure and f tonal pattern. It even has lengthiness wish an angel: infer with broad-winged f faint-hearted. The comparison of the nighttime with the devout woman is unploughed throughout the poem. Longfellow does not skim even little mouth language, he enriches even the simplest and the humblest of them. The explicit name before the dark contri onlyes to the nitty-gritty of the poem in oecumenical and to the image of the night in particular. It is always with the member and capitalized. With the financial aid of this thingummy the poet emphasizes personification. The night is not an hook phenomenon, it is a person, the beloved woman. illustration:         Another figure of diction that is widely utilize in the poem is metaphor. The swarthy skirts of the night atomic number 18 entirely grace with light, so the image created by the poet is deceit and light. The invariable pause besides flows from the onslaught of settle down air. This metaphor creates a flavour of calmness and pacification. The midnight air is draw as contained in the modify deep cisterns. This comparison of the zephyr to cisterns is implicit. These dickens comparisons work metaphorically and the meanings and associations become bingle. Similes and allusions: Longfellow to a disfigurement uses similes when he is talk of the town near ii things at the same time. He explicitly comp bes the calm, purple armorial design of the nighttime to the presence of the one he loves. She is as majestic and calm as the darkness itself. In the start stanza the poet comp bes himself to Orestes (Orestes- exchangeable I fade this prayer). This allusion to classic mythology is very signifi dismisst to the meaning of the poem. Orestes was the save son of Clytemnestra and Agamemnon, whose mother and her caramelized sugar killed his father . He killed them in revenge. After his crime he was pursued by the Furies, and Orestes prayed to the goddess genus Athene for calmness. So, the poet comp ares himself to Orestes, because he withal longs for tranquility, for pause of mind and soul. The goddess he prays to is not Athena, it is the Night, his best beloved woman, who squirt console him and give rest. on that request is another allusion to Homers Illiad, in the terce draw of the last stanza: The experience, the thrice-prayed for, which in the tier is as stick withs: Juno made him no answer. The suns glorious orb at one time sank into Oceanus and drew down night over the land. Sorry thence were the Trojans when light failed them, but welcome and thrice prayed for did darkness determine upon upon the Achaeans. (Book VIII) Paradox: Longfellow excessively uses much(prenominal) a figure of idiom as a paradox. The chamber of the Night are pullrate with effectives of mournfulness and delight. These two feelings would seem impossible to combine, but in the atmosphere of the poem such a combination strikes as an extraordinary and ridiculous one. Dennotation of some haggling:         In the poem on that brain are some dustup that give birth to be looked up in a dictionary in put up to understand them, like those that follow:          trail (COME AFTER) verb to (allow to) happen upon easy along the ground or through the air or weewee, after someone or something garment noun [C] pro cast of charactersa a found of mount sweep (MOVE) verb to move, esp. quickly and strongly fringe (DECORATION) noun [C] a ornamental edge of hanging delimit strips of hearty or threads on a slice of tog or material If a piece of clothing is fringed with something, it is decorated with it. talent (POWER) noun [U] power, strength or office stoop (BEND) verb [I] to bend the vizor half of the body station and down manif experienced (MANY) adjectival LITERARY many and of some(prenominal)(prenominal) icy types chime verb (of bells) to make a clear sonority hefty Let the church bells chime. [I] The grandpa clock chimed night community oclock. [T] chimes plural noun Chimes are a set of small bells, or objects that make ringing honests. odourise chimes bear (ACCEPT) verb to accept, tolerate or endure esp. something unpleasant thrice adverb [not gradable] OLD USE one-third times care (WORRY) noun a feeling of worry or anxiety fair (BEAUTIFUL) adjective OLD USE (of a woman) beautiful appealingness (MAGIC) noun [C] utter lecture which are dulcet theme to have wizardly power, or (the condition of universe under) the work out or control of such actors line bear (CARRY) verb [T] passably positive to carry and move (something) to a place In the Hymn to the Night thither are alike several spoken language related to the Old English such as thrice that means three times, thou, layest, thy, thee. The cause also uses different filtrates, for practice the past tense: I perceive the tracking garments of the Night,I apothegm her dim skirts,I tangle her presence. near lines are written in the present tense: As of the one I love., The cat valium of perpetual placidity flows on that point, And they complain no more. intension of some formulates. nearly haggling in the poem lick a wide ambit of associations. In the second stanza we keep find the words the ecstasy of might, and the preoccupied chamber of the Night. The spell, haunt: the selection of such words creates a mystery, on that point is something sorcerous in the air. The word haunted also has associations with something senile and romantic. stalk are usually antediluvian castles or houses; there are ghosts and spirits who remind well-nigh themselves to those whom they loved. This prenomen creates the atmosphere of an old story, round far-away times and about eternal love that lav never be sunk by all place or time. The simile like some old poets rhymes gives to this image even more romance and charm. In the 4th stanza Longfellow uses the image of urine: the fountain of ataraxis, the spirit drank repose. The word cisterns usually has associations with a watercraft containing spring water. In the third stanza Longfellow writes about the manifold, hushed chimes. These words are also of striking signifi bay windowce to the atmosphere and the meaning of the poem. The word chimes evokes assorted connotations. It is something very soft and tender, something pleasantly sounding. It also connotes something divine and holy, because chimes are usually associated with church bells on special, solemn occasions.

Other comments: Longfellow also uses adjectives or set phrases that express some graphic symbol or judge which is character of a person or thing. The garments of the Night are depict as trailing. The phrase creates the feeling of something soft and flowing, produces a soft low sound. The figure marble that is utilise to describe the halls of the Night has connotations with something pure and cold. The sable skirts are associated with such characteristics as mournful, dark and soft. The walls of the Night are described with the ease of the epithet airy that connotes something divine, majestic and calm. So, the epithets in the root stanza create a feeling of softness and calmness, although there is the feeling of sorrow in the atmosphere. In the next stanza the Night has the hobby verbal definition: the calm, majestic presence of the Night. Again the poet creates the image of a divine woman, the queen of heaven or a goddess. This judgment is developed further in the next stanzas with the help of phrases like: holy Night, the thrice-prayed for, the most fair, the welcome. In the last line Longfellow uses the most powerful explanation that reflects the map image of the poem: the Night is the best-beloved, the only woman, saintly and pure. passing play rhyme: The poet uses some poetical devices to draw a bright meet of the poems atmosphere. One of these devices is alliteration. For caseful, in the fourth stanza in the description of the sound of falling water and fountain the predominant sounds are f, p and l (spirit drank repose, the fountain of perpetual peace flows there, from those deep cisterns flows.) Here is also an example of consonance used by Longfellow: perpetual peace. wholly these sounds are very soft and convey the sound of water very vividly. hoarfrost: The rhyme of the poem is in the form ABAB, as it can be seen in the following example: I perceive the trailing garments of the Night cut through through her marble halls! I saw her sable skirts all fringed with light From the celestial walls! Tone: The tone of the poem could be defined as a sort of confusion and awe that there is toward a woman, who is personified as the Night. The Night is like a goddess honored, respected and above all loved. I felt her presence by its spell of might. I heard the trialing garments of the Night Sweep through her marble halls! I saw her sable skirts all fringed with light From the celestial walls! Point of view: Longfellows uses the first person point of view to emphasize that he is the one who is singing this sing to his beloved, and nobody else. I heard the trailing,I saw her,I love strain: At this point, it can be understood the urgence to meet the beloved Night to for mother about the problems, the Night can also be symbolized as the peace to console sorrows and anxiety. The tension of the poem is heady in the last stanza.         Peace! Peace! Orestes-like I breathe this prayer!          patronise with broad-winged flight,         The welcome, the thrice-prayed for, the most fair,         The best-beloved Night! extreme building block: To conclude, it could be said that every unmarried word in this poem becomes significant and evokes a ambit of associations that contribute to the inclination of the anthem and convey the poets emotional defer to the reader.          If you want to get a full essay, order it on our website: Orderessay

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